Method 91 · Vision, space and darkness
Space Above and Below You
Presence above/below body AdvancedIn the app
An advanced contemplation in which awareness is felt to extend beyond the top of the head and below the feet, past the body’s usual edges.
Understand
Most of the time we feel as though we live inside a body-shaped container. Our sense of “here” stops roughly at the skin, with the top of the head as a ceiling and the soles of the feet as a floor. This method invites a quiet question about that container: is presence really confined to it, or does awareness also include the space above the head and beneath the feet?
The experience described is not about leaving the body or travelling anywhere. It is closer to noticing that the felt sense of being here does not have a hard edge. Sounds arrive from above, the floor supports from below, and awareness already takes in both. In descriptions of this kind of practice, the boundary of the body softens, and presence is felt as continuous with the space around it, especially along the vertical line.
A common misunderstanding is to treat this as an out-of-body exercise, or to strain to imagine yourself floating upward. That kind of effort tends to create tension or a sense of unreality rather than openness. Another is to expect a dramatic shift. In the tradition’s framing, the point is recognition rather than achievement: noticing something about awareness that may already be true, not producing a special experience.
Because it loosens the usual feeling of where you end, this method can be unsettling for some people. If you are prone to feelings of unreality, detachment from your body, or anxiety when your sense of space changes, it is wiser to stay with grounded practices such as feeling your feet, your breath, or the weight of your body. People with a history of trauma, psychosis, dissociation or serious mental-health conditions should seek suitable support before taking up practices like this one.
For people with a settled foundation in simpler methods, it is often approached as an extension of space-based contemplation: a natural next step after resting in the space of the room or the space within the chest.
Deep dive
In the working classification used by Seven Doors, this method sits among the later practices of the Vijñāna Bhairava, where the focus shifts away from particular senses and towards space, vastness and awareness itself. It belongs mainly to the Seeing & Space family, with a secondary link to the nondual contemplations that follow. Many neighbouring methods work with the idea that awareness is not confined to the body, and this one approaches that idea along a simple axis: above and below.
Teachers in contemplative lineages influenced by Kashmir Śaivism have often described the body as a place where awareness is concentrated rather than a place where it is contained. In that view, the felt edge of the body is a habit of attention, not a fixed limit. Practices like this one are commonly read as ways of testing that habit gently, by letting attention include what is just beyond the familiar boundary. Some interpreters emphasise the space itself, as if presence were simply spreading into it. Others emphasise the knowing that already includes that space, suggesting that nothing needs to spread at all, because awareness of “above” and “below” is already present.
These readings vary, and none of them should be taken as the single meaning of the text. What they share is a movement from the narrow to the wide, and a suggestion that the sense of being a small, bounded self may be looser than it seems.
Historically, methods of this kind were not offered as introductory exercises. They tended to be taught within a relationship with a teacher, after a student had developed steady attention and some familiarity with how their own mind responds to unusual perceptions. Intense versions of expansive practice, sustained for long periods or combined with strong breath work, can produce disorientation, a sense of unreality or anxiety, particularly in people who are already vulnerable to those experiences.
A modern, careful adaptation would look quite different from an intense historical form. It would be short. It would begin and end with grounding: feeling the floor, the seat, the weight of the hands. It would treat any widening of presence as optional and light, never as a goal to push towards. It would include clear permission to stop, open the eyes and look around the room at any moment. And it would avoid language that encourages people to leave their bodies or chase special states. The short guided practice in the Seven Doors app is built along these lines, while this page describes the method rather than giving step-by-step instructions.
If this kind of contemplation interests you, the sensible preparation is simple and unglamorous: regular practice with breath, body and sound, and space-based methods that keep you well anchored. Those foundations make it easier to notice when an expansive practice is helpful and when it is time to come back to the ground.
Described, not instructed
Best approached after the foundations, or with a teacher. Described here, not instructed. This page explains the method and its context without step-by-step instructions.
Source text
Verse 44 · The Vijñāna Bhairava, ed. Mukunda Rāma Shāstrī, Kashmir Series of Texts and Studies 8 (1918)
पृष्ठशून्यं मूलशून्यं युगपद्भावयेच्च यः ।
शरीरनिरपेक्षिण्या शक्त्या शून्यमना भवेत् ॥
pṛṣṭhaśūnyaṃ mūlaśūnyaṃ yugapadbhāvayecca yaḥ |
śarīranirapekṣiṇyā śaktyā śūnyamanā bhavet ||
Translation
Whoever contemplates at the same time the void behind (pṛṣṭha, ‘the back’, often read as the void above) and the void at the root becomes empty-minded, through a power that does not depend on the body.
How the practice adapts it
The verse asks for the void behind (or above) and the void below to be contemplated at once; the practice keeps a sense of awareness reaching above the head and below the feet.
Seven Doors’ own translation from the Sanskrit of the 1918 KSTS text, made and reviewed with AI assistance in two independent passes; the works listed were drawn on for the meaning of hard words, from the AI’s knowledge of them, and were not compared page by page.